Sunday, September 22, 2013

All Aboard the Penmanship

If you're American, then like me, you probably remember learning how to write your cursive letters in 3rd grade. That's what they do in California public schools still today, to a lesser degree. But in some US states, they no longer teach cursive at all; according to a recent article that went out on the AP wire, 45 states are considering standards that don't require cursive at all.

Well, in France, it starts in kindergarten (Grande Section) -- and remember that children are younger here in each grade, since the cutoff is Dec 31 (with no redshirting, or voluntary holding back of the younger children). That means that children go into kindergarten as young as 4 years and 9 months, and during that school year, they are expected learn some cursive, certainly at least enough to write their own names. By the end of 1st grade (called CP), they are writing exclusively in cursive for their assignments.


What makes it even more challenging for our girls is that they are not always writing their cursive homework with ballpoint pens. Often, they use calligraphy-style pens with ink cartridges and nibs. This is not by choice; it's a school requirement, beginning in the middle of 2nd grade (called CE1).
 
 

The French are very exacting about how cursive is learned and written; thus, there is a very distinctive French penmanship. I can tell French handwriting at a single glance. My own is most definitely American. There are some letters that were taught to me differently than how my daughters learn them. There are other letters where I just do whatever comes fastest and easiest, whether it's "official" cursive or not.

For the letters, the girls' writing looks French, but it's universally legible. For the numbers, however, they have to worry about the fact that their 1s look like American 7s. It's a problem when writing out phone numbers or numbers. Then again, it's all a matter of perspective; they think some of my own letters are bizarre. Notice the differences between the French (top chart) and American (bottom chart) uppercase A, G, H, I, J, N, Q, S, X, and Z, along with the lowercase P and number 1.
 

For people who say kids younger than 3rd grade are too young for cursive, here is an assignment written at age 7 and 1/2 (and yes, the francophones among you will notice many errors, but see how pretty it looks!):
 
My mother, who used to teach at the university level (in the school of education, forming future teachers), said that she was stunned at the block-printing her students would use for essays. Not only did it look childish, it also was slow and laborious. For notetaking, it's a complete disaster.
 
I've always thought that our girls learning cursive is a great thing; I had my own completely unfounded opinion that, like learning to crawl before walking, writing cursive must do something beneficial to the brain. Well, it turns out to be true. There's an interesting article published in Psychology Today about it, and the crux of it says:

In the case of learning cursive writing, the brain develops functional specialization that integrates both sensation, movement control, and thinking. Brain imaging studies reveal that multiple areas of brain become co-activated during learning of cursive writing of pseudo-letters, as opposed to typing or just visual practice.

There is spill-over benefit for thinking skills used in reading and writing. To write legible cursive, fine motor control is needed over the fingers. Students have to pay attention and think about what and how they are doing it. They have to practice. Brain imaging studies show that cursive activates areas of the brain that do not participate in keyboarding.

So, difficult as it is, in our family, we don't curse the cursive. We are 100% on board the penmanship.

1 comment:

SteveN said...

I enjoyed your trans cultural perspective. I happened upon your blog while searching for penmanship and the letter Z for a blog I write:
called Math on the McKenzie. I am trying to get high-schoolers to recognize the alternate interior angles provided by the "correct" drawing of the capital Z.